Santa Maria Assunta is a Byzantine church, oriented eastward in the traditional manner. Its plan is a sober three-nave arrangement, each aisle divided into three bays. The main entrance, centred on the median axis, sits beneath a two-bay portico covered by low cross-vaults, its wooden door carved with panels. Today, most visitors enter from the south façade, through another carved wooden door set within a rusticated arched portal. The exterior surfaces are simply plastered.
The bell tower rises in four orders, its windows growing larger as they ascend: single, then double, then triple lights, capped by an octagonal spire. Four small triangular pinnacles mark the corners where spire meets tower. Inside, a wooden gallery spans the counter-façade, supported on two slender pillars and housing a pipe organ. The church is a modest, sturdy building, its details, the careful vaulting, the pragmatic fenestration, speaking to a long, unshowy history of worship.
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