In the flatlands of the Romagna, the Chiesa di S. Maria delle Grazie di Fornò presents an unusual Renaissance silhouette. Its circular plan, a deliberate departure from the standard longitudinal church, draws the eye inward toward a central edicola, a small, shrine-like structure, capped by a hemispherical dome. This centralised geometry, popular in Renaissance architectural theory for its symbolic perfection, creates a contained, contemplative space.
The building’s substance is robustly local: brick walls built with a dry cavity between the inner and outer leaves, a practical technique for insulation and moisture control. Above, a pitched roof clad in traditional clay tiles rests on a wooden truss system. This is a church of thoughtful, unshowy construction, where humanist ideals of form meet the honest, workmanlike traditions of the Italian countryside.
Description via source. Coordinates and heritage data from the Atika atlas.
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