This church is a study in prismatic volumes and measured hierarchy. The central nave rises highest, its pitched roof clear and direct, ending at a slightly lower presbytery. Flanking it, the side naves are deliberately less elevated, a clear architectural statement of the main space’s primacy. The real drama is the campanile: a square tower in two stacked orders, rising from the second level of the south side of the main facade. It finishes with a spire and pinnacles, a vertical exclamation point against the sky. Along the south flank, smaller volumes of the sacristy are attached, practical appendages to the main body. The whole composition is typical of Renaissance thinking, clear, rational, and grounded in a logic of proportion, where each part knows its place in the whole. No hidden corners, no fuss; just stone, space, and a clear sense of order.
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