Tucked into the fabric of the Bishop’s Palace, this small Baroque church is an exercise in architectural compression. Its three free sides face internal courtyards, while the entrance opens onto a narrow alley, a deliberate contrast between public and private. The gabled façade is a study in layering: a stone portal with Lombard-style columns and a full-centred archivolt supports a wooden door with lunette; above, a single splayed window sits lower than the pre-existing Romanesque one, a quiet dialogue across centuries. The tympanum is finished with a base of hanging arches, a Lombard motif that closes the composition. Inside, plastered walls still bear traces of Baroque decoration, though much has faded. Four splayed single-light windows (two per side) and two flanking openings to the courtyards admit a restrained, contemplative light. This is a chapel that rewards the patient eye, a palimpsest of architectural eras, compressed into a single, elegant gesture.
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